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Lineage

Bebop

1945–1962 · 28 artists in the graph
Al Haig, Shelly Manne, and Oscar Pettiford turn up on the earliest dated credits in 1945, and within two years Bud Powell arrives to anchor the keyboard end of the music, soon followed by Lucky Thompson, Duke Jordan, and Howard McGhee in 1948. Dizzy Gillespie threads through these early years as a recurring presence across Haig, Powell, Jordan, and McGhee, while bassist Tommy Potter binds Haig, Powell, Jordan, and Don Lamond into the same working circle. By 1949 the line widens to Kenny Dorham, Shorty Rogers, Shadow Wilson, Don Lamond, and Barney Kessel, with drummer Max Roach recurring beneath Haig, Kessel, and Powell, and Miles Davis turning up alongside the same names as the music pushes forward. Charles Mingus links Powell, Kenny Dorham, and Lucky Thompson across his sessions, while at Blue Note founder Alfred Lion and engineer Rudy Van Gelder capture the next wave — Gigi Gryce, James Moody, and Dexter Gordon — with drummer Art Blakey a constant hand across Gryce, Moody, Jimmy Heath, and Joe Gordon. From there the baton passes to Tal Farlow in 1956 and Wynton Kelly in 1957, and finally to

The spine, inception to now

  1. 1945Al Haig
  2. 1945Shelly Manne
  3. 1945Oscar Pettiford
  4. 1947Bud Powell
  5. 1948Lucky Thompson
  6. 1948Duke Jordan
  7. 1948Howard McGhee
  8. 1949Kenny Dorham
  9. 1949Shorty Rogers
  10. 1949Shadow Wilson
  11. 1949Don Lamond
  12. 1949Barney Kessel
  13. 1951Percy Heath
  14. 1951Jimmy Heath
  15. 1951James Moody
  16. 1952Stan Levey
  17. 1953Kenny Clarke
  18. 1953"Philly" Joe Jones
  19. 1953Gigi Gryce
  20. 1954Tadd Dameron
  21. 1954Clark Terry
  22. 1955Joe Gordon
  23. 1956Curtis Counce
  24. 1956Tal Farlow

The threads that bind it

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